Badlands Sweater Worn by Kevin Costner in Yellowstone – Season 2, Episode 6, Blood the Boy (2019)

Badlands Sweater Worn by Kevin Costner in Yellowstone - Season 2, Episode 6, Blood the Boy (2019) - TV Show Product Placement

Badlands Sweater Worn by Kevin Costner in Yellowstone - Season 2, Episode 6, Blood the Boy (2019) - TV Show Product Placement

Badlands Sweater Worn by Kevin Costner in Yellowstone - Season 2, Episode 6, Blood the Boy (2019) - TV Show Product Placement

Badlands Sweater Worn by Kevin Costner in Yellowstone - Season 2, Episode 6, Blood the Boy (2019) - TV Show Product Placement

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‘Yellowstone’ is very nice and easy to watch. The visual part of the series with an abundance of shots of beautiful nature of Montana, horses, animals and Kevin Costner in a hat is absolutely amazing and peaceful. With great pleasure would look at the organization of such material in the genre of ‘time’ great Simon, to the dramatic story would be less, and multidirectional characters, pure everyday life – more.

Watching Kevin Costner is a pleasure. He has aged very nicely and works in the same reserved manner that at one time made him the undisputed American actor # 1. Though then he blew his career (not without the help of a friend K. Reynolds), charisma charm has not gone away – and in this picture, he superpower to do and give Stanislavsky is not necessary. Plus, and the casting of the picture as a whole.

Blemishes lack. Sheridan gained the status of a star screenwriter, and here the script is much inferior to the operator and production work. Confused, for example, the literal following design ‘Godfather’ with the death of Sunny, prodigal son-a war hero, a lawyer, a ‘family’ with omerta and so on. As the plot develops a certain movement to the design, conditionally, ‘Billion’ – the war of spiders – takes place, but at the end of the season the situation when one side is fighting in the legal field, bribed the police, affects everyone and everything but also can change the rules of the game for the direct murder of a competitor, frankly embarrassing.

The absence of halftones, exaggerated melodramatization (mother’s death, drinking daughter, fall and wife’s injury) do not paint the series. Dialogues have never been Sheridan’s strong point and calling card. Never liked it when writers trigger a deadly disease of the central character and are played on the field: when you die and you will have time. The season does not even contain an intermediate preliminary interchange, which is actually a prolonged exposure. The war hasn’t even started yet.

But such a nature and Costner is ready to watch forever and unconditionally.